⸀⸀䄀昀氀愀琀 氀愀 愀 搀漀甀愀 攀砀瀀漀稀椀挀椁攀 瀀攀爀猀漀渀愀氀̀Ⰱ 搀漀洀渀甀氀 䌀爀椀猀琀愀挀栀攀 䜀栀攀漀爀最栀椀甀 猀攀 愀昀椀爀洀̀ 挀愀 甀渀 挀爀攀愀琀漀爀 挀甀 洀甀氀琀椀瀀氀攀 瀀漀猀椀戀椀氀椀琀̀持椁 搀攀 稀甀最爀̀瘁椀爀攀 愀 昀椀最甀爀愀琀椀瘀甀氀甀椀 渀琀爀ⴀ漀 昀愀挀琀甀爀̀ 瀀氀愀猀琀椀挀̀ 洀漀搀攀爀渀̀⸁ 䰀甀挀爀̀爁椀氀攀 攀砀瀀甀猀攀 氀 猀椀琀甀攀愀稀̀ 瀀攀 愀爀琀椀猀琀 渀 愀爀椀愀 瀀攀椀猀愀最椀开琁椀氀漀爀 氀椀爀椀挀椀Ⰰ 愀椀 爀愀瀀猀漀稀椀氀漀爀 瀀氀愀椀甀爀椀氀漀爀 开椁 洀甀渀挀椁氀漀爀 渀漀开琁爀椀⸀ 䐀漀洀渀椀愀 猀愀 挀甀氀琀椀瘀̀ 最攀渀甀氀 瀀攀椀猀愀樀甀氀甀椀 氀椀爀椀挀Ⰰ 渀琀爀ⴀ漀 挀漀渀挀攀瀀挀椁攀 爀攀愀氀椀猀琀̀Ⰱ 挀甀 甀渀 氀椀洀戀愀樀 愀爀洀漀渀椀漀猀Ⰰ 猀攀渀猀椀戀椀氀 开椁 渀甀愀渀挀愁琀⸀ 䐀漀甀̀ 瀀愀爀 愀 昀椀 氀椀渀椀椀氀攀 搀椀爀椀最甀椀琀漀愀爀攀 愀氀攀 挀爀攀愀挀椁攀椀 猀愀氀攀㨀 攀砀愀挀琀椀琀愀琀攀愀 渀漀琀愀挀椁攀椀 开椁 爀攀猀瀀攀挀琀甀氀 昀愀挀́ 搀攀 愀挀琀甀氀 昀椀渀椀琀⸀
⸀⸀⸀䌀爀椀猀琀愀挀栀攀 䜀栀攀漀爀最栀椀甀 昀椀砀攀愀稀̀ 挀甀 攀砀愀挀琀椀琀愀琀攀 洀漀琀椀瘀甀氀 渀 瀀愀最椀渀̀Ⰱ 瀀攀 挀愀爀攀ⴀ氀 洀戀爀愀挀̀ 挀甀 瀀爀漀昀甀渀搀攀 攀洀漀挀椁椀Ⰰ 愀甀最洀攀渀琀愀琀攀 搀攀 挀愀瀀愀挀椀琀愀琀攀愀 猀愀 搀攀 愀 爀攀搀愀 愀琀洀漀猀昀攀爀愀 渀瘀̀氁甀椀琀漀愀爀攀 愀 挀漀渀琀甀爀甀爀椀氀漀爀⸀ 䄀开愁 琀爀攀戀甀椀攀 猀̀ 渀攀 开椁 攀砀瀀氀椀挀̀洁 爀攀氀甀愀爀攀愀 愀挀攀氀甀椀愀开椁 挀漀氀挀 搀攀 渀愀琀甀爀̀ 渀 洀漀洀攀渀琀攀 搀椀昀攀爀椀琀攀Ⰰ 渀 愀渀漀琀椀洀瀀甀爀椀 搀椀昀攀爀椀琀攀Ⰰ 渀 猀琀̀爁椀 愀昀攀挀琀椀瘀攀 搀椀昀攀爀椀琀攀⸀ 䐀愀爀Ⰰ 渀 琀漀愀琀攀 愀挀攀猀琀攀 椀瀀漀猀琀愀稀攀Ⰰ 瀀渀稀攀氀攀 猀愀氀攀 椀渀猀瀀椀爀̀ 甀渀 攀挀栀椀氀椀戀爀甀Ⰰ 漀 愀琀洀漀猀昀攀爀̀ 氀椀渀椀开琁椀琀̀ 开椁 挀愀氀搀̀☁
☀䐠椀渀琀爀ⴀ漀 猀甀椀琀̀ 搀攀 瀀漀爀琀爀攀琀攀Ⰰ 愀甀琀漀爀甀氀 愀 愀氀攀猀Ⰰ 瀀爀椀渀琀爀ⴀ漀 爀椀最甀爀漀愀猀̀ 攀砀椀最攀渀挀́Ⰱ 渀甀洀愀椀 挀琀攀瘀愀㨀 瀀漀爀琀爀攀琀攀 挀漀洀瀀漀稀椀挀椁漀渀愀氀攀Ⰰ 挀攀 猀甀爀瀀爀椀渀搀 漀 愀挀挀椁甀渀攀 猀愀甀 漀 洀椀开持愀爀攀Ⰰ 瀀漀爀琀爀攀琀攀 挀攀 猀甀爀瀀爀椀渀搀 攀砀瀀爀攀猀椀椀 猀甀昀氀攀琀攀开琁椀Ⰰ 瀀漀爀琀爀攀琀攀 挀攀 猀攀 渀愀猀挀 搀椀渀 爀攀氀愀挀椁愀 漀洀ⴀ瀀攀椀猀愀樀⸀
㰀瀀 挀氀愀猀猀㴀∀樀∀㸀 …Cristache Gheorghiu dovedeşte simţul perspectivei, sensibilitate cromatică, decenţă şi o mare exigenţă în alegerea motivelor, ceea ce mă face să apreciez că artistul are deja un loc bine conturat în lumea peisagiştilor braşoveni.㰀⼀瀀㸀 㰀瀀 挀氀愀猀猀㴀∀搀∀㸀 Anca Pop, critic de artă,